The New Play Project, in conjunction with Provo Theater Company, is performing the world premiere of national award-winning playwright Mahonri Stewart's "Swallow the Sun," a new play based on the early life of C.S. Lewis, author of "The Chronicles of Narnia," "The Screwtape Letters," "Mere Mere Christianity" and "Till We Have Faces."
Although Stewart said that this play holds special significance for him personally, "The work of C.S. Lewis has had a meaningful influence upon me since I was young. It is due to him that my work is as religious as it is. To borrow Lewis' own words, he 'baptized my imagination.'"

The play centers around Lewis' conversion to Christianity. "People are surprised when I tell them that C.S. Lewis was once an entrenched atheist," said Stewart, "He became such a powerful advocate for Christianity that people have a hard time seeing him as anything but. But the reason he was such a powerful voice was because he had been on the other side. He knew their arguments, he felt the weight of their reasons."

Although the play has strong religious content, Stewart assures that the play is neither saccharine, nor didactic. "It is a conversion story, no doubt about it, but the men that effected Lewis' conversion were no intellectual lightweights. People like Hugo Dyson, Owen Barfield and the famed J.R.R. Tolkien were powerful, extremely intelligent individuals. They had tremendous impact on the change that happened in Lewis. I have strived to write this play with that in mind — to make it visceral, emotional, intellectual, lyrical, real."

Where: Provo Theatre Company, 105 E. 100 North, Provo
When: 7:30 p.m. May 16, 17, 19, 23, 24; 2:30 p.m. May 17, 24
Cost: $10/$8 students, seniors
Phone: 830-4553
Web: www.newplayproject.org/tickets

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Upon the stage of a theater can be represented in character, evil and its consequences, good and its happy results and rewards; the weakness and the follies of man, the magnamity of virtue and the greatness of truth. The stage can be made to aid the pulpit in impressing upon the minds of a community an enlightened sense of a virtuous life, also a proper horror of the enormity of sin and a just dread of its consequences. The path of sin with its thorns and pitfalls, its gins and snares can be revealed, and how to shun it (Discourses of Brigham Young, p.243; Bookcraft, 199

I'm not a theater critic but I just had to say that I saw this on Saturday and am very glad I did. Mahonri knows how to show a big internal change in a gradual, building way that I think is extremely skillful.

Thanks for the kind words, Nan and Darlene. I was so delighted to see you both there, especially since I respect both of you so much. We also got a review from the Deseret News (my first from one of the major Utah Newspapers). I disagree with his comments about the religious discussions being tedious at times (those are my favorite parts), and totally agree with his comments about the set changes (I should have divided up the stage instead into separate sections, small as it was). Other than that, I thought it was a positive review (if not plot description heavy and too revealing of the story and theme). Here's the link:
http://deseretnews.com/article/1,5143,700227342,00.html

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Upon the stage of a theater can be represented in character, evil and its consequences, good and its happy results and rewards; the weakness and the follies of man, the magnamity of virtue and the greatness of truth. The stage can be made to aid the pulpit in impressing upon the minds of a community an enlightened sense of a virtuous life, also a proper horror of the enormity of sin and a just dread of its consequences. The path of sin with its thorns and pitfalls, its gins and snares can be revealed, and how to shun it (Discourses of Brigham Young, p.243; Bookcraft, 199