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Andrew Hall
Posted: Friday, January 25, 2008 1:21:33 PM

Rank: AML Member

Joined: 10/26/2007
Posts: 59
Points: 186
Location: Denton, TX
Memorable 'TAKE' is a must-see
By Genelle Pugmire
Deseret Morning News
Published: January 24, 2008
TAKE *** 1/2
Produced by: Chet Thomas
Written/Directed by: Charles Oliver
Starring: Minnie Driver, Jeremy Renner, Bobby Coleman, Adam Rodriguez, David Denman
Length: 99 minutes
OREM — The LDS Film Festival has come of age with this clean but adult-themed movie that takes an intense look at extreme forgiveness and restorative justice.

Writer/director Charles Oliver, in his first feature-length film, has captured the essence of how forgiveness frees the soul. Oliver's special effects and colorization add to the film's intensity. The jumps from past to present are smooth and keep the audience wondering about the end result of it all.

The story line introduces us on one day to a mom (Minnie Driver), a dad and a son. We also meet a gambling addict (Jeremy Renner) trying to find money to pay a gambling debt. One moment of horrific terror leads the audience to the next day — the day of execution and coming to terms with what happened and the lives it changed.

All of the actors make these parts believable. particularly young actor Bobby Coleman, who plays the son. Coleman's character interpretation leaves the audience aching to reach out and help him.

"TAKE" does have a few things that would not be considered part of the LDS scene, such as Driver smoking. However, Oliver and his producers are members of The Church of Jesus Christ of Latter-day Saints and have taken great strides to make this a picture that makes you think without adding gratuitous scenes.

Shot on a small independent budget, this film can take on any movie produced in the big leagues. It has won numerous awards at other film festivals and is currently awaiting its theatrical release.

If you have the chance to see "TAKE," do it. Make sure that you go with a friend or companion — you will need to talk about it after you see it. It's that good and that memorable.

Kudos to Oliver. With a first film this good, one wonders what's next.



'Tears of King' shows spiritual side of Elvis
By Rodger L. Hardy
Deseret Morning News
Published: January 24, 2008
TEARS OF A KING: THE LATTER DAYS OF ELVIS ***
Produced by: Rob Diamond
Written by: Rob Diamond
Starring: Matt Lewis, Erin Chambers, Brian Wimmer
Length: 117 minutes
OREM — This moving film depicts the spiritual side of Elvis Presley at the end of his life and his search for redemption.

The performance by Las Vegas Elvis impersonator Matt Lewis as the King of Rock 'n' Roll searching for the King of Kings, as the promoters say, is outstanding, including his singing of some of Presley's hits. Lewis quickly draws the audience into the story with his believable portrayal of the legendary icon.

Writer and director Rob Diamond paints a picture of a remorseful Presley regretting lifestyle choices that led to the divorcing of his wife, Priscilla, and disassociation with his daughter, Lisa Marie.

The movie, which was screened last week at the 7th Annual LDS Film Festival, also ties in Presley's study of the Book of Mormon. Although the name of the book is never uttered in the film, audiences are given a glimpse of the blue paperback cover just before the emotionally tortured singer dies of a prescription drug overdose. Filmmakers used the actual Book of Mormon Presley reputedly owned and written in by Elvis. That book is now in the possession of The Church of Jesus Christ of Latter-day Saints.

Diamond uses a series of flashbacks of the singer's life to tell the story and admits to taking license by inserting Presley's conversations with a "mysterious man" who turns out to be the spirit of his twin brother, Jesse, who died at birth. Those conversations examine crossroads in the singer's life.

Diamond also cleverly uses an after-life interview technique between the late television host Ed Sullivan and Presley to tell the story. The filmmaker admits that had a certain amount of cheese attached, but it works in an uncanny way.

He pieced the story together after a year of research, 11 days of shooting (mostly on a sound stage) and a year of editing.

"Tears of a King" is engrossing, based on extensive factfinding and shows a side of Elvis Presley rarely seen.



'Hold the Door' dark, brooding, perplexing
By Kaye Nelson
Deseret Morning News
Published: January 24, 2008
HOLD THE DOOR ** 1/2
Written by: Mark E. Johnson
Directed by: Mark E. Johnson
Starring: Manuel Guzman, Omar Huamanchumo, Ella Vanetino
Length: 80 minutes
OREM — Not all movies at the LDS Film Festival have lighthearted or Mormon-culture themes. One such film this year, "Hold the Door," is dark and perplexing at times.

The film is based on Fyodor Dostoevsky's "The Idiot," a tale of forgiveness between two young men, and is set in New York with Latino actors. At an after-viewing Q&A, Johnson said, "The color scheme of hatred and forgiveness might not be a bright sunny day."

"Hold the Door" was shot in Manhattan within an eight-week period. Johnson said he auditioned hundreds of actors but couldn't find just the right person for the lead. Spotting a young high school student, Manuel Guzman, on a subway, Johnson followed him through six subway cars and asked him to audition. Never having acted before, Guzman got the part.

In the film, a love triangle ensues between two young men, Eugene (Guzman) and Hector (Omar Huamanchumo), and Monica (Ella Valentino), a beautiful angst-ridden teen. While Hector's approach with Monica is harsh and possessive, Eugene only gazes longingly at Monica, declaring her "perfect."

On a budget of just $160,000, Johnson captures a bit of life in Manhattan, seen through the eyes of Latin teenagers dabbling with newfound relationships. Part of the music for the film is a lone cello piece, effective at times but overdone, with additional music nearly overwhelming the actors' dialogue, which is sparse. Camera shots of actors' faces are dramatic but dominate the whole movie, although one viewer liked the outcome.

"The eyes had much more dialogue," said Scott Holden of Springville. "I thought it was beautiful, thoughtful and quietly brooding."

This was Johnson's first try at a feature film and was completed seven years ago while he was living in New York City.

If you are a moviegoer who seeks quietly brooding films, "Hold the Door" is one for your list.



No real value to be found in violent 'Eleventh Hour'
By Rodger L. Hardy
Deseret Morning News
Published: January 24, 2008
THE ELEVENTH HOUR *
Produced by: John Lyde
Written by: John Lyde
Starring: Matthew Reese, K. Danor Gerald, Jennifer Klekas, David Nibley, Joel Bishop
Length: 93 minutes
OREM — Shot in two weeks with a $150,000 budget, this movie capitalizes on blood, guts and violence to tell its story.

But then, violent movies are typically low-cost.

It's a yarn about an ex-Navy SEAL, Michael Adams, played by Matthew Reese, who was captured during a raid to free Japanese prisoners from a North Korean prison camp. He endures the North Korean's torture for three years — seen only as flashbacks — then released back into civilian life.

But a renegade North Korean general wants revenge for the raid on his camp and follows Reese's character back to the United States with a deadly plot to have the former soldier assassinate the leader of the raid, now a United States senator, Mason Chambers, played by K. Danor Gerald.

To do that he has Adams' estranged wife, Rachel, played by Jennifer Klekas, attacked and briefly hospitalized so a doctor on the North Korean's payroll can insert a bomb into her head. Then Adam is captured, given the assignment and warned he must assassinate the senator within 12 hours or the bomb will detonate.

The movie is full of fast-paced action and well-choreographed fights. However, the chase scenes are filmed with a hand-held camera that shakes ad nauseam. This is not an easy movie to watch and offers no socially uplifting value.

Unlike most LDS genre flicks, it thankfully has no association or reference to The Church of Jesus Christ of Latter-day Saints. It does prove that the LDS Film Festival isn't about the church or the religion; it's mostly about church members making movies. It also shows the festival is willing to pander to low-culture audiences.

Even the name of this movie, "The Eleventh Hour," makes no sense. Filmmaker John Lyde said he picked that name "because it sounds cool."

Lyde said his target for release is Spike TV. This movie contains minor language, one obscene hand gesture and is not recommended for young children.
Andrew Hall
Posted: Thursday, January 31, 2008 2:49:09 PM

Rank: AML Member

Joined: 10/26/2007
Posts: 59
Points: 186
Location: Denton, TX
'Boys' full of humor
By John Gale
For the Deseret Morning News
Published: January 31, 2008
LOS MORMON BOYS
Directed by: Dave Lindsay, Jason Conforto
Length: 50 minutes
"Los Mormon Boys" is a documentary about a band by the same name, made up entirely of full-time LDS missionaries in Northern Argentina in the 1960s.

According to the film, the band toured the country full time, playing all over the place, and appearing on every radio and television station in the area.

The filmmakers interviewed Ronald Stone, who presided over the mission, and all the members of the band, even a couple who have since become inactive.

The documentary provides a detailed account of the band's formation and the experiences of its members . It also incorporated original recordings of the band's music throughout, which is a nice touch.

One of the strongest areas lay in the amount of humorous laugh-out-loud moments.

For example, one former member talked about the challenge to be as spiritual in the band as they would be doing normal missionary work.

"It's a little tough to be playing 'Tequila' in an enthusiastic manner," he said. "It's not like singing a hymn."

But they talk about using the song to explain the Word of Wisdom, saying that even though they sing that song, they don't actually drink any tequila or other alcohol.

The documentary is full of light-hearted moments and the tone is mostly upbeat, even as the former members reminisce about some of their challenges.

After the showing at the LDS Film Festival, the filmmakers said they originally wanted to turn the story into an actual movie but didn't have enough money, so they opted for a more cost-effective documentary.

It's just as well. The story lends itself better for a documentary format.

It's more interesting and entertaining the way it is.


Cosic's life makes interesting movie
By John Gale
For the Deseret Morning News
Published: January 31, 2008
AN OFF-COURT STORY: THE LIFE AND TIMES OF KRESIMIR COSIC —
Produced by: Lindsey Jurdana
Length: 43 minutes
OREM — The documentary of Kresimir Cosic's life was informative, interesting and well done, as it explored his life on and off the basketball court, his losing battle with Non-Hodgkins lymphoma and his legacy.

The film began with a montage of Cosic's highlights, as family, friends, former teammates and even President Thomas S. Monson of the LDS Church's First Presidency talked about Cosic's basketball skills.

It was interesting to learn just how good of a player he was. He was the first European to be drafted by an NBA team. He turned down NBA offers to return to Croatia.

Considering the proliferation of European players into today's NBA that has been ongoing since the early 1990s, it was particularly informative to learn of Cosic's career from decades earlier.

As interesting as his basketball exploits were, his life off the court was even more compelling. Cosic converted to The Church of Jesus Christ of Latter-day Saints while at BYU and did as much as he could to share his beliefs with others, particularly in his native Croatia.

At first, he was the only member of the church in Communist Yugoslavia, but he did a lot to change that.

It was interesting to learn that he recruited the best translator he could find to translate the "Book of Mormon" into his native language, and his translation is still the official translation for the church today.

Viewers will also be interested in getting perspective on Cosic's life from famous LDS people such as Monson, Truman G. Madsen and Hugh Nibley, as well as friends and family.

Overall, the documentary was worth watching for anyone interested in Cosic's life, and it will be particularly informative to younger viewers who don't remember Cosic's playing career.


'Stonecutter' inspiring short film
It follows struggles of man who worked on the S.L. Temple
By Sharon Haddock
Deseret Morning News
Published: January 31, 2008
ONLY A STONECUTTER —
Produced by: T.C. Christensen

Length: short

OREM — "Only a Stonecutter" tells the story of John Rowe Moyle — a park in Alpine has the same name — an early LDS pioneer whose story is one of remarkable faith and dedication.

This man came from England to Zion with his family in the Ellsworth handcart company and settled on 160 acres in Alpine.

His story revolves around his work on the Salt Lake Temple where he carved in stone the words that are painted in gold today. He didn't have a way to get to Salt Lake to do the cutting so he walked 22 miles every week for more than 20 years.

Then after his leg was amputated, as soon as he could function on the wooden leg he fashioned for himself, he resumed the weekly sojourn over Traverse Mountain, through the snow and the cold and the dark.

It's a simple story but well told, well-acted and well filmed. It's one of the short film competition entries for the 7th Annual LDS Film Festival.

One can only hope it makes its way soon into church libraries.


More than 6,500 attend '08 festival
By Sharon Haddock
Deseret Morning News
Published: January 31, 2008
OREM — LDS Film Festival founder Christian Vuissa said it several times.
"There are more people in this room than attended the festival combined our first year," he said as he surveyed a packed house on Jan. 16 at the SCERA Center for the Arts.

The first festival drew fewer than 1,000 viewers while the seventh festival ended with an attendance count of more than 6,500.

Full-length feature films such as "Forever Strong," "TAKE," "The Errand of Angels," and "Tears of a King: The Latter Days of Elvis" drew in the largest audiences while premiere documentaries such as "Nobody Knows: The Untold Story of Black Mormons" and "The Off-Court Story of Kresimir Cosic" pulled in substantial audiences as well.

"The festival has proven again that LDS filmmaking is alive and well. We couldn't be more pleased with the program this year and the excellent films and presentations we were able to gather for a great festival," Vuissa said. "We are now already getting excited for next year."

The winners of the short film competition, 24-hour filmmaking marathon, and script competitions were announced at an informal awards ceremony Saturday night. Feature films are not in competition at the LDS Film Festival. The festival also awarded two honorary awards for special accomplishments in LDS filmmaking.

The 2008 Pioneer Award recipient is Sterling Van Wagenen, co-founder of the Sundance Film Festival and founding executive of the Sundance Institute.

The 2008 Visionary Award went to Greg Whiteley, the director of "New York Doll," for making an LDS film that strongly appeals to an LDS and general audience.

Awards in the short films competition included first place to "Der Ostwind", written and directed by Kohl Glass with visual effects by Rob Au, and second place to "The Lost Journal of Vice Marceaux" by JR Burningham. Third place went to "Butterflies" by Andy Bailey.

See the complete list of winners at: www.ldsfilmfestival.org/08_winners.php.

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